00:00:00 Tom Sachs: OK. So welcome back to the shop, ladies and gentlemen, I got this gift from Nino Wiener at Taschen and look at this motherfucker, The NASA Archives. 00:00:21 Tom Sachs: And you know there are a lot of NASA books out there, but. This is by Pierce Bizony and Andrew Chaikin and Doctor Roger. Launius, I mean, these are like Chaikin wrote the only Penguin book on the space program, and it’s like it’s must.

00:00:00 Tom Sachs: Alright, so here we are at Venus over Manhattan on… What’s the address here? 980 Madison and we’re here to look at Charlotte Perriand and she was the man behind the man known as Le Corbusier. And here we’re looking at her kitchen that she did for the Unité d’habitation in Marseille. And that was kind of the most important post war housing development. 00:00:28 Tom Sachs: The Corbusier, you know they say he was a Nazi sympathizer, but he I think he just wanted to be on the side that was going to win.

00:00:00 Tom Sachs: Hi, can you all hear Me? Um, here we are on 27th St. Um. Hey Fernando can you hear Me? Mr Hamburger. You can hear me OK is it sound good I got a lavaliere mic on. So tell me it sounds good. 00:00:21 Tom Sachs: Alright, so we’re about to go to Paul Kasmin Gallery to check out the Brâncuși and Duchamp’s show. These are two of my favorite artists.

0:00:00 Tom Sachs: So Werner Herzog says, ‘day one is the point of no return.’ so I guess this is the beginning of the movie I’m gonna make. 00:00:07 Tom Sachs: I ordered this cryobi, hot glue gun, some Makita brand color paint, and from Australia this disgusting digitally grown. Disgusting Ryobi to Makita adapter. 00:01:00 Tom Sachs: You gone? 00:01:07 Tom Sachs: Gotta get this cactus thing out. 00:01:30 Tom Sachs: Time.

In the studio we adhere to a strict color code. Developed over decades, our color code consists of a finite and precise color palate. The color code is non-negotionable. We do not stray from the color code. The whole world as we experience it visually comes to us through the mystic realm of color. GREEN In the studio, green is olive drab. OD 7 is our olive drab. For OD 7, our preferred choice is Kyron Industrial Camouflage 8143 Olive Drab.

00:00:00 Steve Lacy: OK I’ve heard of Speakeasy bars. They were the huge thing a few years ago there everywhere now. But what about a Speakeasy art studio? 00:00:06 Kimberly Guilfoyle: Yeah, Simone Boyce here now to show us the secret location and how we can all get inside. 00:00:10 Simone Boyce: Yes. Probably the only way you’d ever hear bout this is what the hashtag bodega, 245 on Instagram or by word of mouth and this artist has been in this space for 20 years.

00:00:15 Tom Sachs: My name’s Tom Sachs and I’m giving Porous Walker my first tattoo. 00:00:23 Tom Sachs: No, did I go deep enough? Oh woah. 00:00:27 All: Laughing. 00:00:29 Porous Walker: Everybody does the same thing. 00:00:31 Mary Frey: You should just leave it like that. 00:00:32 Tom Sachs: That’s amazing. 00:00:37 Porous Walker: I love how fast he goes. It’s soo good. 00:00:51 David Hopp: It’s really not looking as bad as it should.